The Swedish tenor Anders J. Dahlin was born in 1975 and made his studies at the music conservatory in Falun, Sweden and at the Royal Danish Conservatory of Music. Already in 1998 he made his operatic début at the Norwegian National Opera where he acclaimed much success for his interpretation of Tom Wingfield in Tennessee Williams’s Glassmenagerie composed by Antonio Bibalo. In recent years he has become one of the leading interpreters of the early French baroque music.

Anders J. Dahlin has worked with conductors such as Christophe Rousset, Sir John Eliot Gardiner, Hervé Niquet, William Christie, Adam Fischer, Frans Brüggen, Philippe Herrweghe, Alessandro di Marchi, Robert King, Manfred Honeck, Stephen Layton, Iona Brown, Eric Ericsson, Tonu Kaljuste, Andreas Spering, Christoph Spering and Roy Goodman.

His opera engagements has included the title rôle of Rameau’s Zoroastre at Drottningholm theatre in Stockholm and in Amsterdam directed by Pierre Audi and conducted by Christoph Rousset, Atis in Rameau’s Les Paladins with William Christie and Les Arts Florisants, Carlos and Tacmas in Rameau’s Les Indes Galantes with conductor Frans Brüggen in Holland, Italy and Poland, the title rôle of Rameau’s Platée at the opera in Kiel with conductor Christoph Spering, Oberon, Phoebus and the Chinese man in Purcell’s Fairy Queen in Bilbao and Salamanca (Rousset), and Lucano in Monteverdi’s L’incoronazione di Poppea in Lyon (Christie) among others.

Anders J. Dahlin has received much acclaim as The Evangelist in J.S. Bach’s passions throughout Europe, as well as for his interpretation of Britten’s Serenade for tenor, horn and strings.

Other successful concerts included Telemaco and Humana Fragilita in Moteverdi’s Il Ritorno d’Ulisse at cité de la Musique, Paris with Christophe Rousset and Les Talens Lyriques, Haydn’s Die Schöpfung in Le Mans with Hervé Niquet. He also sang the rôle of Castor in Rameau’s Castor and Pollux with Sir John Eliot Gardiner in Salle Pleyel and a similar Rameau programme at the Proms in Royal Albert Hall with great success.

Dahlin also participated in events that included L’Athlète and Mercure in Rameau’s Castor and Pollux at The Netherlands Opera and La Monnaie in Brussels, J.S. Bach’s Mass in G minor with Concerto Copenhagen an Lars-Ulrik Mortensen, Haydn’s Die Schöpfung with Frans Brüggen and a reprise of Rameau’s Zoroastre at Opera Comique in Paris in 2009.